守正创新:融媒体视域下影视批评的“变”与“不变”  

Honesty and Innovation:“Change”and“Unchange”of Film and Television Criticism from the Perspective of Integrated Media

作　　者：宋法刚[1] 陈鸣 Song Fagang;Chen Ming(School of Media and Communication,Shandong University of Arts,Jinan,Shandong,250300)

机构地区：[1]山东艺术学院传媒学院,山东济南250300

出　　处：《民族艺术研究》2022年第6期48-53,共6页Ethnic Art Studies

基　　金：“泰山学者工程专项经费资助项目”的阶段性研究成果。

摘　　要：新时代融媒体语境下的影视批评走向了多元化发展的道路,其批评阵地、批评样式、批评主体、批评内容、批评属性等方面都较以往发生了巨大变化。面对这一现状,影视艺术批评家应从面对全球化语境、活用渠道途径、活泼表述内容、立足现实问题、更新研究方法、强化媒体合作等方面开拓全新的影视批评创作路径,实现传统批评向现代批评的范式转化。同时,其创新又以守正为前提和基础,坚守以“人民为中心”的创作原则与立场、积极弘扬社会主义核心价值观是影视批评家不可忘却的责任与担当。In the context of integrated media in the new era,film and television criticism moves towards the road of diversified development.Great changes have taken place in the fields of criticism,criticism style,criticism subject,criticism content and criticism attribute.For this situation,in order to develop a new path of film and television criticism creation and to realize the paradigm transformation from traditional criticism to modern criticism,film and television art critics should start from the following points:global context,flexible use of channels,vivid articulated content,practical problems,updated research methods,strengthened media cooperation,and other aspects.At the same time,the innovation of film and television criticism is based on the premise and foundation of integrity.Therefore,film and television critics should take these responsibilities:adhere to the creative principle of“people centered”and actively promote socialist core values.

关 键 词：融媒体 网络时代 影视批评 主流价值观 

分 类 号：J905[艺术—电影电视艺术]