岩画研究的理论与方法——以旧石器时代晚期洞穴岩画研究为例  

Theories and Methods of Rock Art Research:Taking the Study of Cave Paintings in the Late Paleolithic Age as an Example

作　　者：张亚莎[1] 张晓霞[1] ZHANG Ya-sha;ZHANG Xiao-xia(School of Ethnology and Sociology,Minzu University of China,Beijing 010000,China)

机构地区：[1]中央民族大学民族学与社会学学院,北京010000

出　　处：《西北大学学报（哲学社会科学版）》2023年第1期130-141,共12页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重大项目“中国岩画文化遗产资料集成及数据库建设”(18ZDA328)。

摘　　要：欧洲洞穴岩画研究,始自20世纪初叶,但真正有较大进展是在20世纪中期,从学科与方法论上划分,可大致看到两条线索:一是欧洲艺术与考古学方法的进展线索,偏重于实践考古学的理论拓展;二是人类学阐释理论的介入,更多是岩画目的与功能的哲学探讨,在研究上更偏重早期人类精神与视觉传达形式与表征。一个有趣的现象是目前国际学界影响较大的学者,其研究方法上都显示出两者的结合。The study of European cave paintings began in the early 20 th century,but the real great progress was made in the mid-20 th century.From the division of discipline and methodology,we can roughly see two clues:First,the progress clue of European art and archaeological methods,focusing on the theoretical expansion of practical archaeology;second,the intervention of anthropological interpretation theory,which is more of a philosophical discussion on the purpose and function of rock art,and pays more attention to the form and representation of early human spirit and visual communication.An interesting phenomenon is that the research methods of the influential scholars in the international academic circles show the combination of the two.

关 键 词：洞穴岩画 旧石器时代晚期 艺术考古 人类学方法 

分 类 号：K879.4[历史地理—考古学及博物馆学]