《电影与新心理学》  

The Film and the New Psychology

作　　者：莫里斯·梅洛-庞蒂 张颖(译)[2] Maurice Merleau-ponty;Zhang Ying

机构地区：[1]不详 [2]中国艺术研究院

出　　处：《电影理论研究（中英文）》2022年第3期81-85,共5页Journal of Film Studies

摘　　要：与传统心理学执着于科学理智所构建的世界而抛弃了现实世界不同,新的格式塔心理学揭示出人们存在于世的方式以及系缚于世的联系。电影作为一种知觉对象,能够很好地体现出这一新的心理学所强调的人类感知模式。电影是一种时间性形式,不但通过画面和声音的蒙太奇创造出新的现实,而且将意义掺入其内在节奏之中,以较真实生活更加精确的世界为人们提供一种经验载体,使人们能够通过感知来理解其本质。Unlike traditional psychology, which is obsessed with the world constructed by scientific reason and abandons the real world, the new Gestalt psychology reveals the way in which people exist in the world and the connection to the world. As a perceptual object, film can embody the human perception mode emphasized by this new psychology. Film is a temporal form that not only creates new realities through montages of images and sounds but also incorporates meaning into its inner rhythm, providing people with a carrier of experience in a world that is more precise than real life and enabling people to understand its essence through perception.

关 键 词：知觉 蒙太奇 节奏 镜头时长 电影音乐 

分 类 号：J90-05[艺术—电影电视艺术]