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作 者:杨文艺[1] YANG Wenyi(School of Literature and Media,Suzhou College,Suzhou 234000,China)
机构地区:[1]宿州学院文学与传媒学院,安徽宿州234000
出 处:《常熟理工学院学报》2023年第1期96-102,共7页Journal of Changshu Institute of Technology
基 金:安徽省哲学社会科学规划项目“‘后申遗时代’我国非物质文化遗产保护的知识整合与实践整合研究”(AHSKY2017D105)。
摘 要:“十七年”时期,社论这一当代报纸的新闻评论方式,被广泛运用于文学批评,形成了这一时期特殊的社论化文学批评形态。社论化文学批评以其特定的话语方式,参与了“十七年”的文学生产和文学消费;更以其特殊的话语内容,深度参与了新中国成立后的社会史、思想史的建构。文章超越纯粹的“美学的”批评方式,重返历史现场,分析社论被广泛运用于文学批评的时代语境;进而采用史料统计方法,呈现社论化文学批评的运用情况;并采取话语分析的方法,分析社论化文学批评关注的主要内容,以揭示社论化文学批评积极参与社会史、思想史建构的内在逻辑。Editorial,a form of news commentary in contemporary press,which was widely used in literary criticism during the 1949-1966 period,stood as a special mode of literary criticism typical of the time.Editorialized literary criticism,with its specific discourse mode,was made a participative part in the 17 year-long literary production and consumption.Most significantly,it very mode,among others,left an indelible mark on the construction of social and ideological history since the founding of the New China.The present paper targets at a return to the real historic scene as it was through a transcendence over pure“aesthetic”criticism,so as to uncover the broadly defined context of the era.Equally,the paper is meant to bring to vision the real-life application of editorial literary criticism on statistical analysis basis.Finally,the paper intends for a content critique of the then pervading editorial criticism via discourse analysis,in order that its internal logic presents itself.
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