检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:国淑雅 王利锁[1] Guo Shuya;Wang Lisuo
出 处:《大庆师范学院学报》2023年第1期55-64,共10页Journal of Daqing Normal University
基 金:河南省高等学校哲学社会科学基础研究重大项目“唐诗经典化研究:以《唐诗别裁集》为依据的考察”(2018JCZD022)。
摘 要:唐代是项羽接受史上的重要时期,唐代诗人对项羽形象的接受又是项羽接受史中的重要内容,其接受多以诗歌为载体进行。唐代诗人笔下的项羽形象鲜明而多变,他时而为西楚霸王,时而为落魄之徒,时而为柔情男儿。唐代诗人不仅以诗歌叙述项羽的相关事迹,还在此基础上大发议论,抒发个人情感,创作出一批以项羽为主题的咏史诗,数量可观。与其他朝代相比,唐代咏史诗对项羽形象的接受明显呈现出诗体创新、包容的态度和偏重宏观叙述等特点。以咏史诗为切入点考察项羽形象在唐代的接受,既有一定的针对性,也能够体现唐代在项羽接受史上承前启后的重要意义。The reception of Xiang Yu in the Tang Dynasty is an important period in the history of Xiang Yu’s reception,and is mostly carried out with poetry as the carrier.The image of Xiang Yu in the works of Tang Dynasty poets is vivid and changeable.He is sometimes the king of Western Chu,sometimes a castaway man,and sometimes a tender man.The poets not only narrated the relevant deeds of Xiang Yu in poetry,but also made a lot of comments on this basis,expressed their personal feelings,and created a number of poems on history with Xiang Yu as the theme,through which the image of Xiang Yu was shaped.In addition,compared with the people of other dynasties,the reception of Xiang Yu by the people of the Tang Dynasty obviously shows poetic innovation,great tolerance and emphasis on macro narration.Taking poems on history as a starting point to investigate Xiang Yu’s reception in the Tang Dynasty is not only targeted,but also reflects the transitional significance of the Tang Dynasty in the history of Xiang Yu’s reception.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.117