中国古代亭台楼阁审美观物体系的形成  

Formation of Aesthetic Viewing System on the Basis of Pavilions,Terraces and Towers in Ancient China

作　　者：冀志强[1] JI Zhiqiang(School of Literature,Guizhou University of Finance and Economics,Guiyang 550025,China)

机构地区：[1]贵州财经大学文学院,贵阳550025

出　　处：《鲁东大学学报（哲学社会科学版）》2023年第1期16-22,共7页Ludong University Journal:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金后期资助项目“先秦的‘观’及其诗性建构”(18FZX048)。

摘　　要：亭台楼阁是中国古代重要的审美视角,并以此形成了一种极具特色的审美观物体系。这种审美观物体系的形成,主要归因于中国古代经典文本中的特殊观看模式。首先,由台这种建筑所引发的观看模式,在《周易》中形成一种仰观俯察的视线;其次,屈原在《离骚》中又展现出一种游目流观的审美视线,二者共同构成了中国传统文化中的重要美学话语。同时,楼阁亭榭的空间结构也加入了由台引发的审美观看当中,从而形成中国古典美学中的亭台楼阁审美观物体系。Pavilions,terraces and towers are important aesthetic perspectives in ancient China,which form a unique aesthetic viewing system.The formation of this system is mainly due to the special viewing mode presented in the classical texts in ancient China.Firstly,the viewing mode caused by the building of“tower”forms the sight of viewing up and down in the Book of Changes,and secondly,in Lisao,Qu Yuan also shows a kind of aesthetic vision of touring sight and flowing view.These two ways constitute an important aesthetic discourse in traditional Chinese culture together.At the same time,the spatial structures of pavilions and terraces also join the aesthetic view caused by towers.Thus the aesthetic viewing system of pavilions,terraces and towers are formed in Chinese classical aesthetics.

关 键 词：亭台楼阁 审美体系 仰观俯察 游目流观 

分 类 号：B83-09[哲学宗教—美学]