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作 者:胡一凡 张荣红[1,2] HU Yifan;ZHANG Ronghong(Gemmological Institute,China University of Geosciences,Wuhan 430074,China;Hubei Key Reasearch Base of Humanities and Social Sciences-Center for Jewelry Heritage and Innovation,Wuhan 430074,China)
机构地区:[1]中国地质大学(武汉)珠宝学院,湖北武汉430074 [2]湖北省人文社科研究基地“珠宝首饰传承与创新发展研究中心”,湖北武汉430074
出 处:《宝石和宝石学杂志(中英文)》2022年第6期152-158,共7页Journal of Gems & Gemmology
基 金:国家艺术基金项目《基于荆楚文化青铜器和绿松石的文创产品创意设计人才培养》资助成果,项目编号:2022-A-05-(058)-451;湖北省人文社科基地重点基金项目"曾国墓葬出土玉器艺术特征与发展流变实证研究"阶段成果,项目编号:CJHIXM-02-202002。
摘 要:先秦佩玉观念中玉器的内涵从通“神”到通“人”,经历了“巫玉”“神玉”“礼玉”“德玉”四个阶段的延伸和发展。通过分析先秦时期玉佩饰的主要形式、功能等特征,结合当时社会制度的演变,对先秦佩玉观念的发展进行梳理,探究先秦佩玉观念的思想内涵在当代人与物、人与人、人自身方面的价值体现,提出符合当代价值需求的天人之和的生态平衡观念、人伦之和的社会平衡观念以及身心之和的个人发展观念。In the concept of wearing jade ornaments in the pre-Qin period, the connotation of jade ornaments has gone through four stages from “spirit” to “human”, namely “sorcery jade” “divine jade”“ritual jade” and “virtuous jade”. By analyzing the main forms, functions and other characteristics of jade ornaments in the pre-Qin period, and combining with the evolution of the social system at that time, this paper combs the development of the concept of jade ornaments in the pre-Qin period, and then explores the value embodiment of the ideological connotation of the concept of wearing jade in contemporary people and things, people and people, and people themselves. Put forward the conclusion in line with the needs of contemporary values: the concept of ecological balance, the concept of social balance, and the concept of personal development.
分 类 号:TS93[轻工技术与工程] K87[历史地理—考古学及博物馆学]
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