原型批评和读者反应批评视域下的《白夜行》研究  

A Study of The White Night in the Context of Prototype Criticism and Reader Response Criticism

作　　者：王萍 WANG Ping(School of Literature and Media,Yunnan Minzu University,Kunming Yunnan 650504)

机构地区：[1]云南民族大学文学与传媒学院,云南昆明650504

出　　处：《牡丹江大学学报》2022年第12期39-45,58,共8页Journal of Mudanjiang University

基　　金：国家社科基金一般项目“詹姆斯·霍格的边境记忆与苏格兰城乡书写研究”(18BWW052)。

摘　　要：文本是一个“召唤结构”,邀请读者积极参与连接、填补其中的“空白”,因而文本的意义也就具有了开放性,多样性。东野圭吾的小说《白夜行》利用多重视角的转换塑造了千姿百态的人物形象,同时也带领我们找到了案件真相,虽然其间还有许多的“未定点”和“空白”,但这也正是需要读者积极参与的地方,点、线、面相结合各自寻找出属于自己的答案。本文认为唐泽雪穗大部分时间戴着人格面具,在众多人眼里是高雅聪慧的女神形象,然而实际上是一朵恶之花,被阴影所支配,犯下的累累罪行就是她阴影的最大显现。雪穗的阿尼姆斯是筱冢一成,曾数次表明心迹,与桐原亮司之间不过是被守护者与守护者的关系,无关爱情。The text is a'beckoning structure'that invites the reader to actively participate in connecting and filling in the'gaps'in it,thus giving the text an openness and variety of meaning.Higashino Keigo's novel"The White Night"uses multiple perspectives to portray a variety of characters and lead us to the truth of the case,although there are still many"undecided points"and"gaps",this is where the reader needs to actively participate,combining points,lines and surfaces to find their own answers.The author believes that Karasawa Yukiho,who wears a personality mask most of the time and is seen by many as an elegant and intelligent goddess,is in fact a flower of evil,dominated by shadows,and her numerous crimes are the greatest manifestation of her shadows.Yukio's Animus is Issei Shinotsuka,who has made his heart known several times,and his relationship with Kirihara Ryouji is merely that of the guarded and the guardian,not love.

关 键 词：读者反应批评 原型批评 《白夜行》 

分 类 号：I106.4[文学—世界文学]