草稿与语录体:从草稿思维看王阳明的《传习录》  

Sketch and Quotations:A Review of Wang Yangming's ChuanXiLu from the Perspective of Sketch

作　　者：陈永宝 CHEN Yong-bao(Department of Philosophy,Xiamen University,Xiamen 361005,China)

机构地区：[1]厦门大学哲学系,福建厦门361005

出　　处：《陕西学前师范学院学报》2023年第1期118-124,共7页Journal of Shaanxi Xueqian Normal University

基　　金：国家社科基金一般项目(22BZX050)。

摘　　要：草稿思维是艺术创造过程中出现的一种思考方式。它的特点是原初性、潜在性、未完成性与目的指引性。这种思维侧重个人体验而不是理论推导。语录体是草稿思维的一个展现方式,这为借用草稿思维解读语录体的《传习录》带来了可能。草稿思维因其直面文本本身,使读者与作品交流减少了外来“偏见”的干扰,使作品以鲜活的姿态呈现在读者面前,达到了知、行的立论初衷。同时,用草稿思维分析语录体的《传习录》,可将其看成一幅画作,方便后学对阳明学的理解。Sketch is a way of thinking in the process of artistic creation.It is characterized by primitiveness,potentiality,incompletion and purpose guidance.Sketch focuses on personal experience rather than theoretical deduction.Which is characterized by the style of Quotations.Quotations style is a way to show Sketch,so it will be possible to interpret ChuanXiLu(《传习录》)from the perspective of Sketch.Because of its direct face to the text itself,sketch reduces the interference of external“prejudice”in the communication between the reader and the works,and makes the works presented to the reader in a fresh posture,thus achieving the original intention of“zhi”(知)and“xing”(行).At the same time,ChuanXiLu can be regarded as a painting by analyzing it from the perspective of Sketch,which facilitates the understanding of Yangming Theory by later learners.

关 键 词：草稿 《传习录》 语录体 未完成 

分 类 号：B248.2[哲学宗教—中国哲学]