庐隐小说的女性生存景象与自我映照  

Female survival scene and self-reflection in Lu Yin’s novels

作　　者：唐欣怡 TANG Xin-yi(College of Chinese Language and Literature,Fujian Normal University,Fuzhou,350007,China)

机构地区：[1]福建师范大学文学院,福州350007

出　　处：《闽西职业技术学院学报》2022年第4期44-49,共6页Journal of Minxi Vocational and Technical College

摘　　要：作为在五四运动中成长起来的一名女作家,庐隐成为五四时期女性写作的先驱者。庐隐在创作中融入自己的经历与情感,以两性关系为基点,对恋爱与婚姻、女性的身体自主权和他者问题等进行探讨。在新旧观念交替的特殊时代,庐隐既有反传统的叛逆精神,也有妥协、顺从甚至懦弱的一面。庐隐的思想、困惑甚至本人的经历都投射在她笔下的女性角色中,从而形成她独特的女性生存景象叙事风格。As a female writer growing up in the May 4th Period, Lu Yin became the forerunner of female writing in the May 4th period. Lu Yin integrates her own experiences and emotions into her creation. Based on the relationship between the sexes, she discusses love and marriage, women’s body autonomy and other issues. In the special era of the alternation of old and new ideas, Lu Yin not only has rebellious spirit against tradition, but also has a side of compromise, obedience and even cowardice. Lu Yin’s thoughts, perplexities and even her own experiences are all projected into her female characters, thus forming her unique narrative style of female survival scene.

关 键 词：庐隐 女性小说 生存景象 镜像映照 

分 类 号：I207.42[文学—中国文学]