明清女教类善书传播与戏曲中女性形象研究  

Dissemination of Kindness Instruction Books for Women and Female images in Plays of the Ming and Qing Dynasties

作　　者：李艳[1] Li Yan(Arts College,Sichuan University,Chengdu 610207,China)

机构地区：[1]四川大学艺术学院

出　　处：《四川师范大学学报（社会科学版）》2023年第1期150-158,共9页Journal of Sichuan Normal University(Social Sciences Edition)

基　　金：教育部人文社会科学研究一般项目“明清戏曲与善书研究”(16YJA760020)的研究成果。

摘　　要：明清时期劝善书集中编撰,流布传播深远,形成了规模浩大的劝善思想文化运动。以“女四书”为代表的明清女教类善书在编撰和传播上出现新的形式,思想上传递出新的涵义,以德为本、孝贞节烈、因果报应等原则与观念影响着明清戏曲中女性形象的创作。精英阶层家庭的女性在箴规内则的教育外,接受了多元文化艺术教育。规训与觉醒的矛盾与调和鲜明地体现在明清传奇戏曲女性形象的塑造中。The centralized compilation of kindness instruction books in the Ming and Qing Dynasties contributed to their extensive spreading and launched a national cultural movement of encouraging kindness.Some new features are displayed in the compilation and spreading of women's kindness instruction books such as the four books for women.They also embody some new thoughts which created profound impacts on female characterization in plays of the Ming and Qing Dynasties.Women from elite families have received diversified cultural arts education in addition to the education of the rules and regulations.The contradiction and reconciliation of discipline and awakening are clearly reflected in the shaping of female images in legendary operas of the Ming and Qing Dynasties.

关 键 词：女教书 劝善 明清戏曲 女性形象 

分 类 号：G206[文化科学—传播学] K248[历史地理—历史学] I207.37[历史地理—中国史]