论婺剧乱弹新编历史剧《西施泪》的成就  

On the Achievements of the Historical Play Xi-shi-lei (The Tears of Xishi) as a New Adapted Wu-ju (Wu Opera)

作　　者：聂付生 NIE Fusheng(Xiangshan Film and Television College,Ningbo University of Finance and Economics,Ningbo,Zhejiang 315799,China)

机构地区：[1]宁波财经学院象山影视学院,浙江宁波315799

出　　处：《贵州大学学报（艺术版）》2023年第1期62-69,共8页Journal of Guizhou University Art Edition

基　　金：2020年度国家社科基金艺术学重大项目“中国戏曲历史题材创作研究”(项目编号:20ZD23);2022年度国家社科基金艺术学一般项目“婺剧抄本剧目整理与研究”(项目编号:22BB038)。

摘　　要：婺剧乱弹新编历史剧《西施泪》是婺剧界第一部彩色戏曲艺术片,其编创和演出过程曲折、漫长。《西施泪》初名《卧薪尝胆》,创编于20世纪60年代初期,因对历史剧“古为今用”既片面又机械的理解遭到茅盾的严厉批评。传统戏恢复演出之后,编创者重新构思,从主题、结构到人物对原作做了全新的改造。同时,浙江婺剧团选调演艺精湛的艺术骨干倾情演绎,因此,《西施泪》取得成功,并于1981年被长春电影制片厂拍摄成彩色艺术片。Xi-shi-lei(The Tears of Xishi) as an adapted play of Wu-ju(Wu Opera) is a new historical play that is the first traditional colored opera film with a vicissitudinous and long process of creation and performance. Originally entitled Wo-xin-chang-dan(The Great Revival of Yue Kingdom), Xi-shi-lei was created in the early 1960s and was severely criticized by MAO Dun due to a partial and mechanical understanding of the technique of “making the past serve for the present” in the historical play. After the performance of the traditional operas was resumed, the creators made a new transformation of the play concerning the theme, structure and characters with a reconstruction. Meanwhile, the artistic backbones of Zhejiang Wu-ju(Wu Opera) Troupe performed the opera with exquisite skills and passions. Therefore, Xi-shi-lei achieved great success and was shot as a colored opera film by Changchun Film Studio in 1981.

关 键 词：《西施泪》 《卧薪尝胆》 编创 表演 

分 类 号：J805[艺术—戏剧戏曲]