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作 者:杜小钰[1,2] 张维亚 刘媛之[3] DU Xiao-yu;ZHANG Wei-ya;LIU Yuan-zhi(School of Humanities,Jinling Institute of Technology,Nanjing,Jiangsu 210038;Department of Chinese Language and Literature,Sun Yat-sen University,Guangzhou,Guangdong 5102753;Nanjing Folklore Museum,Nanjing,Jiangsu 210002)
机构地区:[1]金陵科技学院人文学院,江苏南京210038 [2]中山大学中国语言文学系,广东广州5102753 [3]南京市民俗博物馆,江苏南京210002
出 处:《艺术百家》2022年第5期41-49,共9页Hundred Schools In Arts
基 金:文化和旅游部项目“国家级非物质文化遗产代表性传承人杨木海(龙舞·骆山大龙)记录工作”阶段性成果;中山大学2022年“高等学校一般项目国内访问学者”项目阶段性成果;2022年“金陵科技学院国内访问学者”项目阶段性成果;江苏省教育科学“十四五”规划2021年度课题“基于文旅产业学院的校企合作协同育人模式及绩效评价研究”(课题编号:D/2021/01/77)阶段性成果。
摘 要:国家级非遗骆山大龙是骆山村民依傍石臼湖创造的一项民俗信仰,艺术表现形式为舞龙灯。舞龙仪式是商周秦汉以来祭龙求雨古礼在当今民间的传承,龙神信仰反映了人与自然和谐共生的本质,龙舞的组织在社会功能上起到了凝聚村庄共同体的作用。濒危的根本问题是传统社会功能的衰退,问题表现在舞龙队伍召集困难、龙会成员老龄化和传统技艺后继乏人等方面。针对以上问题,本文提出了基于文旅融合的五项对策,其中传承队伍建设是关键,旅游资源的合理利用是重点,文化空间的保护是前提,文创设计和媒体传播是重要辅助和渠道。The national intangible cultural heritage“Luoshan Dragon”is a folk belief created by the villagers of Luoshan by relying on Shijiu Lake.The artistic expression is the lantern of dragon dance.The dragon dance ceremony is the inheritance of the ancient ritual of sacrificing dragons and praying for rain since the Shang,Zhou,Qin and Han dynasties.The belief in the dragon god reflects the nature of the harmonious coexistence between human and nature.The organization of the dragon dance plays a role in cohesion of the village community in terms of social functions.The fundamental problem of endangerment is the decline of traditional social functions,which is manifested in the difficulty of assembling dragon dance teams,the aging of dragon club members,and the lack of successors in traditional skills.In response to the problems,five countermeasures based on the integration of culture and tourism are proposed,among which the construction of inheritance team is the key,rational use of tourism resources is the key point,the protection of cultural space is the premise,and the design of cultural and creative products and media communication are important auxiliary and channels.
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