“寻路”与“融合”--21世纪以来中国戏剧发展中的现代性探索  

“Wayfinding”and“Fusion”:Exploration of Modernity in the Development of Chinese Drama Since the 21st Century

作　　者：陈均[1] CHEN Jun(School of Arts,Peking University,Beijing 100871)

机构地区：[1]北京大学艺术学院,北京100871

出　　处：《艺术百家》2022年第5期93-99,142,共8页Hundred Schools In Arts

基　　金：2021年度国家社科基金艺术学重大项目“百年戏曲演出史及其发展高峰研究”(项目编号:21ZD15)阶段性成果之一。

摘　　要：21世纪以来,随着“非遗”在中国社会的普及,中国传统文化作为戏剧现代性探索可资利用的文化资源,得到更多关注。与此同时,跨文化戏剧、后戏剧剧场等在西方戏剧领域里新兴的先锋实践与理论思潮,逐渐在中国得以传播、实践与探讨。作为先锋探索的小剧场运动,“小剧场戏曲”方兴未艾,从话剧领域延伸到戏曲领域,成为风行中国内地(大陆)及港台地区的突出现象,引领戏剧的现代性探索。因此,中国戏剧将戏曲及多种传统文化作为资源或戏剧元素引入,成为其探索现代性的一种颇具活力的主要倾向。Since the 21st century, with the mobilization and popularization of intangible cultural heritage in Chinese society, Chinese traditional culture, as a cultural resource for exploration of drama modernity, has been paid more attention.At the same time, the emerging vanguard practice and theoretical trend of thought in western drama, such as cross-cultural drama and post-drama theater, has been gradually spread, practiced and discussed in China.As a pioneer exploration of the small theater movement, from drama to drama, “small theater drama” is in the ascendant, has become a prominent phenomenon covering the mainland, Hong Kong, Taiwan, leading the exploration of drama modernity.Therefore, the introduction of traditional operas and various traditional cultures as resources or dramatic elements in Chinese operas has become a very dynamic major tendency in the exploration of modernity.

关 键 词：非物质文化遗产 “传统型”戏剧 现代性 小剧场 后戏剧剧场 

分 类 号：J80[艺术—戏剧戏曲]