从摹仿到生成:德里达对传统摹仿论的解构  

From Imitation to Generation:Derrida’s Deconstruction of the Traditional Imitation Theory

作　　者：孟凡萧 Meng Fanxiao(College of Literature,Anhui University,Hefei Anhui,230039)

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《山东师范大学学报（社会科学版）》2022年第6期68-77,共10页Journal of Shandong Normal University(Social Sciences)

基　　金：安徽高校人文社会科学重点项目“图像学视域下的古希腊模仿论及其哲理脉络研究”(SK2021A0050)的阶段性成果。

摘　　要：摹仿作为西方诗学与美学中的核心范畴,也是德里达解构主义文论中的重要论题。德里达认为传统摹仿理论建立在形而上学哲学基础之上,它在历史演变过程中所形成的意义并未完全呈现出来。因此,德里达从书写/文字、文本、主体三个维度对传统摹仿论进行了“清淤”与解构,提出了一种新的摹仿理论--文本摹仿论,为人们解答“何谓文学”等问题提供了一个崭新的视角。As the core category in western poetics and aesthetics,imitation is also an important thesis in Derrida’s deconstructionist literary theory.Derrida argues that the traditional theory of imitation rests on a metaphysical philosophy,and its meaning formed in the course of the evolution of history has not yet been fully presented.Derrida,therefore,deconstructs the traditional theory of imitation in three dimensions:writing/text,text,and subject,and proposes a new imitation theory which is called textual imitation theory.The theory offers a fresh perspective for answers to questions such as“what is literature”.

关 键 词：摹仿理论 德里达 解构主义 西方诗学 柏拉图 

分 类 号：I01[文学—文学理论]