史迹与化境:作为思想史叙述的文献展及其设计观  

Relics and Sublimation:Documentation Exhibition as a Narrative of Intellectual History and Its Design Concept

作　　者：芦影[1] Lu Ying

机构地区：[1]中国传媒大学广告学院

出　　处：《艺术设计研究》2022年第6期64-70,共7页Art & Design Research

基　　金：国家社科基金艺术学项目“中国设计批评思想史研究(1919-2019)”(项目编号:19BG117)的阶段性研究成果。

摘　　要：文献展因其“文献性”而成为独特的展览类型。本文选择“栋梁”文献展作为考察个案是因其既有历史文献展的学术特征和展陈逻辑,同时又以“Documenta”表明展览的艺术定位与精神指向。通过分析“栋梁”展在内容组织和设计呈现上的特色,以揭示其在策展观、文献观和设计观上带来的创造性启示和借鉴意义。Documentation exhibition has become a unique exhibition type because of its "documentary nature". This paper chooses the "Liang: The Overarching" exhibition as a case study because it has the academic characteristics and presentation logic of the historical documentation exhibition, and at the same time,it uses the "Documenta" as the artistic orientation and spiritual direction of the exhibition. By analyzing the characteristics of "Liang: The Overarching" exhibition in content organization and design presentation, this paper summarizes the creative enlightenment and reference significance brought by its curatorial view, literature view, and design view.

关 键 词：文献展 Documenta “栋梁”展 梁思成 思想史 展览设计 

分 类 号：J05[艺术—艺术理论]