寻找“宋瓷”——20世纪初英国的现代主义中国风  

Searching for “Song Porcelain”:British Modernism and Chinoiserie in the Early 20th Century

作　　者：汪燕翎[1] 梁海育 Wang Yanling;Liang Haiyu

机构地区：[1]四川大学艺术学院

出　　处：《艺术设计研究》2022年第6期78-83,共6页Art & Design Research

基　　金：四川省哲学社会科学重点研究基地现代设计与文化中心资助项目(项目编号:MD9Z001)的阶段性成果。

摘　　要：20世纪初,伴随中国艺术在英国的系统收藏和研究,“宋瓷”这一概念被逐渐强化,它不仅打破了由外销工艺和明清彩瓷塑造的中国风趣味,还冲破了文学、艺术、手工艺和现代设计之间的藩篱,成为英国现代主义文化想象的一处锚定物。回顾“宋瓷”这一概念在20世纪初英国的形成、改写与传播,有助于理解英国现代主义实践中的中国因素和跨文化实质。In the early 20th century, as Chinese art was systematically collected and studied in Britain, the concept of "Song porcelain" was gradually reinforced, not only by breaking down the Chinese-style interest shaped by export craftsmanship and Ming and Qing porcelain, but also by breaking down the barriers between literature, art, craftsmanship, and modern design, becoming an anchor for the British modernist cultural imagination. A review of the formation, rewriting,and dissemination of the concept of "Song porcelain" in British modernist practice in the early twentieth century helps to understand the Chinese factor and the cross-cultural essence of British modern design exploration.

关 键 词：宋瓷 中国风 英国 现代主义运动 

分 类 号：J05[艺术—艺术理论]