传统玉雕向现代艺术与设计转化的问题研究——以岫玉为例  

Research on the Transformation of Traditional Jade Carving into Modern Art and Design:Taking Xiu Jade as an Example

作　　者：曹天慧[1] 王锦萍 董月鹏 Cao Tianhui;Wang Jinping;Dong Yuepeng

机构地区：[1]鲁迅美术学院 [2]郑州工业应用技术学院

出　　处：《艺术设计研究》2022年第6期90-96,共7页Art & Design Research

摘　　要：玉文化是中国传统文化的代表之一,也是中国独有的工艺文化和文人文化的载体。作为优秀的传统工艺文化,我们一般作为非物质文化遗产进行保护性传承,这在中国目前的手工艺文化观念中是一种被大多数人认可的方法。然而,在当代的发展中我们还看到了一些倾向于艺术和设计的探索,这是一种玉文化从手工艺时代向工业时代“进化”的尝试。这两种方法目前都存在一定的问题:手工艺传承是否与技术进步相矛盾?传统工艺进行现代艺术和现代设计式的探索是否会从根本上消解传统文化?本文以岫岩传统玉雕的当代化探索为引,通过对当前国内玉雕在现代艺术和现代设计领域的探索,分析这种发展的进步性和存在的问题,并结合人类造物历史进程中的种种发展变化来探索中国玉文化的当代化进程中可能的新出路。Jade culture is one of the representatives of Chinese traditional culture, as well as the carrier of China’s unique craft culture and literati culture. As an excellent traditional craft culture, we generally carry out protective inheritance as intangible cultural heritage, which is a method recognized by most people in China’s current concept of handicraft culture. However, in his contemporary development, we also saw some explorations inclined to art and design, which is an attempt to "evolve" jade culture from the handicraft era to the industrial era. There are some problems at present: Is the inheritance of handicrafts in contradiction with the progress of technology? Will traditional crafts deconstruct traditional culture fundamentally when it explores modern art and modern design? This paper is guided by the exploration of the modernization of traditional jade carving in Xiuyan,through the exploration of the current domestic jade carving in the field of modern art and modern design, analyzes the progress and problems of this development, and explores the possible new way in the process of the modernization of Chinese jade culture in combination with various developments and changes in the historical process of human creation.

关 键 词：传统玉文化 现代性转化 艺术 设计 

分 类 号：J05[艺术—艺术理论]