阿尔弗雷德·盖尔的艺术人类学研究  

Alfred Gell’s Study of Anthropology of Art

作　　者：李修建[1] Li Xiujian

机构地区：[1]中国艺术研究院艺术学研究所

出　　处：《艺术设计研究》2022年第6期118-122,共5页Art & Design Research

基　　金：国家社科基金艺术学一般项目“西方艺术人类学学术史”(项目编号:19BA012)的阶段性成果。

摘　　要：英国学者阿尔弗雷德·盖尔是当代西方最具原创性的艺术人类学家,《艺术与能动性》是其代表作。他秉承英国人类学界的传统,反对从美学、符号学和语言学的角度研究艺术。他认为艺术人类学研究的是艺术生产、流通和接受的社会语境。他将艺术看成一套技术体系和行动体系,主张对艺术做传记式研究。他受皮尔斯启发,提出了艺术关系网理论,认为艺术人类学的任务就是描述和解释艺术关系网。盖尔的理论不仅在艺术人类学界产生巨大影响,还深刻影响了艺术史研究,为艺术研究提供了一种新的方法论。Alfred Gell, a British scholar, was one of the most original anthropologists in the contemporary western academic world. Art and Agency was his representative work. He inherited the tradition of British anthropology and opposed the study of art from the perspectives of aesthetics, semiotics, and linguistics.He believed that the anthropology of art was the study of the social context of art production, circulation, and acceptance. He regarded art as a technical system and an action system and advocated a biographical study of art. Inspired by Pierce, he put forward the theory of art nexus and thought that the task of anthropology was to describe and explain the art nexus. Gell’s theory not only greatly impacts the field of anthropology of art, but also has a profound impact on the study of art history, which provides a new methodology for art study.

关 键 词：阿尔弗雷德·盖尔 《艺术与能动性》 艺术关系网 指示符 

分 类 号：J05[艺术—艺术理论]