论程千帆的文史之学与古代文论研究--以《文论十笺》为中心  

On Cheng Qianfan’s Studies of Literature and History and Ancient Literary Theory--Centered on Ten Notes on Literary Theory

作　　者：石明庆[1] SHI Mingqing(School of Humanities,Huzhou University,Huzhou 313000,China)

机构地区：[1]湖州师范学院人文学院,浙江湖州313000

出　　处：《湖州师范学院学报》2022年第11期57-63,共7页Journal of Huzhou University

基　　金：浙江省哲学社会科学规划重点项目“近代学术范式转型视野下的《文史通义》传播接受与经典化研究”(18NDJC005Z)。

摘　　要：程千帆是一位既继承了传统文史之学,又能积极吸收现代文学理论,并加以综合创新的文史大家。其《文学发凡》(最后定名为《文论十笺》)体现了程千帆先生提倡国学、立足民族文化传统的自觉意识,是文学理论本土化的较早尝试之作。从程千帆的校雠目录学思想之应用、朴学的校注笺释方式之发展、子学精神之继承、古代文学的理论之提炼等方面来看,《文论十笺》这部古代文论名著体现了传统文史学内蕴。由此可见,程千帆晚年所总结的文献学与文艺学相结合的两点论研究方法渊源有自,根基还是在传统文史之学。Cheng Qianfan(1913-2000) is a master of literature and history who not only inherits the traditional literature and history, but also actively absorbs modern literary theory and makes comprehensive innovation. His Introduction to Literature(finally entitled Ten Notes on Literary Theory) reflects his consciousness of advocating Chinese culture and basing himself on the national cultural tradition. It is an early attempt to localize literary theory. Starting with the application of Cheng Qianfan’s collation bibliography, the development of collation, comments and annotation of plain learning, the inheritance of the spirit of Zixue, a study of the scholars and writers in the Pre-Qin Period in China, and the refinement of the ancient literary theories, this paper illustrates the connotations of traditional literature and history embodied in this famous book about ancient Chinese literary theories. It is believed that his two point research method of combining philology with literature and art in his later years is original, which deepens our comprehensive understanding of Cheng Qianfan’s academic thought.

关 键 词：程千帆 《文论十笺》 文史之学 古代文论 

分 类 号：I021[文学—文学理论]