内审美理论视域下梦的审美意识  

The Aesthetic Consciousness of Dreams in the Perspective of Internal Aesthetic Theory

作　　者：吴梦雯 Wu Mengwen(School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海徐汇200234

出　　处：《湘南学院学报》2022年第6期76-80,87,共6页Journal of Xiangnan University

摘　　要：自弗洛伊德释梦研究后,无意识作为审美主体的一种“潜在意识”引起西方学者广泛关注。在中国古代哲学、美学思想和文学艺术创作中,早已展现出对主体审美意识的关注,但未形成系统的理论研究。内审美理论是一种关注审美主体个体性、特殊性、内倾性、主观精神性的“中体式”理论。梦作为内审美的被动形态,是人类共有却又特殊的体验。以梦为切口,内审美理论为依据,区分中国古代美学思想与西方传统思想,具有立足中国本土话语体系的创新意义。Since Freud’s dream interpretation, the unconscious as a kind of “potential consciousness” of the aesthetic subject has attracted wide attention from Western scholars. In ancient Chinese philosophy, aesthetic thought and literary art creation, the concern for aesthetic consciousness has long been raised, but no systematic theoretical research has been formed. The theory of internal aesthetic is a Chinese theory that focuses on the individuality, specificity, inwardness and subjective spirituality of the aesthetic subject. Dream, which is a passive form of internal aesthetics, is a common but special experience for human beings. Taking dreams as the starting point, the theory distinguishes ancient Chinese aesthetic thought from Western thought traditions, and has the innovative significance of being based on the local Chinese discourse system.

关 键 词：内审美理论 梦境 意识 潜意识 

分 类 号：B84-065[哲学宗教—基础心理学]