后苏联时期俄罗斯纪实戏剧的灾难意识书写与审美建构  

The Disaster Consciousness Writing and Aesthetic Construction of Russian Documentary Drama in the Post-Soviet Period

作　　者：王丽丹[1] Wang Lidan(School of Foreign Languages,Nankai University,Tianjin,China)

机构地区：[1]南开大学外国语学院,天津300071

出　　处：《外国文学》2023年第1期30-41,共12页Foreign Literature

基　　金：国家社科基金一般项目“20世纪初以来俄罗斯纪实戏剧研究”(18BWW035)。

摘　　要：灾难意识是遭遇灾难时的生命体验,它关涉民族记忆和灾难反思,而具有即时性与真实性特质的当代俄罗斯“逐字逐句”(verbatim)纪实戏剧,正好适合呈现当代俄罗斯人无处可逃的灾难感和恐惧感。本文从横向空间和纵向时间两个维度考察当代俄罗斯纪实戏剧的灾难意识书写,揭示剧作家对灾难叙事的积极伦理态度,显示剧作家的灾难反思和审美超越,说明剧作家在赋予情节以丰富诗意和内在深度的同时,实现了审美理想的诗意建构,凸显了创作者的伦理境界及人文关怀。Disaster consciousness is the life experience when encountering a disaster,and is related to national memory and disaster reflection.Characterized by immediacy and authenticity,the contemporary Russian documentary drama"verbatim"perfectly presents the sense of disaster and fear from which contemporary Russians have nowhere to escape.This article examines the writing of disaster consciousness in contemporary Russian documentary dramas from the two dimensions of horizontal space and vertical time,reveals the playwright's positive ethical attitude towards disaster narration,illustrates the dramatist's disaster reflection and aesthetic transcendence,and shows that while enriching the plot with poetic flavor and the inner depth,the playwright achieves the poetic construction of aesthetic ideals,which highlights the playwright's ethical realm and humanistic care.

关 键 词：纪实戏剧 灾难意识 审美建构 人文关怀 

分 类 号：I512[文学—其他各国文学]