块茎思维与诗性自由论纳博科夫小说《斩首之邀》中的自由观念  

On the Concept of Freedom in Nabokov's Fiction Invitation to a Beheading

作　　者：石馥毓 Shi Fuyu(School of Russian Studies,Dalian University of Foreign Languages,Dalian,Liaoning Province,China.)

机构地区：[1]大连外国语大学俄语学院,辽宁宁大连116044

出　　处：《外国文学》2023年第1期62-72,共11页Foreign Literature

基　　金：国家社科基金一般项目“当代俄罗斯文学批评流派研究”(17BWW034);教育部人文社会科学青年项目“爱普施坦文学批评思想研究”(21YJC752013)。

摘　　要：《斩首之邀》是纳博科夫自己最为看重的一部作品,它集中体现了作家对自由的理解。纳博科夫通过描写精神病患主人公眼中的碎片化世界图景,传达一种解辖域化的块茎自由观。主人公对自由的强烈欲望源自与生俱来的不透明基因和诗性智慧,他因病态意识下的块茎思维而拥有一具“无器官的身体”,在牢狱中借用身体的抗争表达对现实世界权力话语的不满与反抗。小说的开放式文本不仅符合主人公精神漫游的碎片化特征,也展现了作家去同一性、去中心化、去层级化的自由认知。As Nabokov's most cherished work,Invitation to a Beheading epitomizes his understanding of freedom.Nabokov conveys a deterritorialized and rhizomatic view of freedom by describing the fragmented world in the eyes of the psychopath protagonist.The protagonist's strong desire for freedom comes from his inherent genetic nature of opacity and poetic wisdom.He possesses a"body without organs"because of the rhizomatic thinking influenced by schizophrenic consciousness.In prison,he expresses his dissatisfaction and resistance to the power discourse in the real world through his body.The open text of the fiction,while conforming to the protagonist's fragmentation characteristic of mind-wandering,also reveals Nabokov's de-identical,de-centralized,de-hierarchical cognition of freedom.

关 键 词：《斩首之邀》 精神漫游 诗性智慧 块茎 无器官的身体 

分 类 号：I712[文学—其他各国文学]