方向性色彩学及其内涵刍议:从色相环到色球  

On Directional Chromatics and Its Connotation:from Color Circle to Color Ball

作　　者：曹怿然 高飞[1] 伽尔瓦茨卡娅E.S. CAO Yi-ran;GAO Fei;Korvatskaya E.S.(Institute of Fine Arts,Anhui Normal University,Wuhu 241002,China;Institute of Fine Arts,Herzen State Pedagogical University of Russia,Saint-Petersburg 191186,Russia)

机构地区：[1]安徽师范大学美术学院,安徽芜湖241002 [2]俄罗斯国立师范大学美术学院,圣彼得堡191186

出　　处：《南京工程学院学报（社会科学版）》2022年第4期30-35,共6页Journal of Nanjing Institute of Technology：Social Science Edition

基　　金：安徽师范大学2020年博士科研启动金项目“苏俄色彩学研究”(752002)。

摘　　要：自牛顿发表色彩理论开始,色彩学的研究才真正意义上走入正轨,并成为了现代色彩学研究的根基。主流色彩学著作都指向色彩系统这一对色彩学进行呈现的载体。因此,对牛顿与歌德的色彩理论、龙格色彩观的研究可知其各自的方向性与内涵,并最终呈现于牛顿物理学色相环、歌德生理学色相环和龙格色球之中。基于这三个部分的论述也可明了现代色彩系统是如何初步构建而成的。Research into chromatics has been on track and has become the foundation of modern chromatics since Newton published his color theory.A look at any mainstream chromatics works may show the color system,which is a carrier of chromatics.Studies of Newton and Goethe’s color theory and Runge’s color view,therefore,can indicate their respective directionality and connotation.Discussions based on Newton’s physical color circle,Goethe’s physiological color circle and Runge’s color ball help to understand how modern color system is preliminarily constructed.

关 键 词：色彩学 方向性 色相环 色球 

分 类 号：J063[艺术—艺术理论]