论新时代文学的“向外转”  

On the “Outward Turn”of Literature in the New Era

作　　者：朱静宇[1] 栾梅健[2] Zhu Jingyu;Luan Meijian

机构地区：[1]同济大学人文学院,上海200433 [2]复旦大学中文系,上海200433

出　　处：《南京社会科学》2022年第11期139-145,共7页Nanjing Journal of Social Sciences

摘　　要：自2012年开始的中国新时代文学在创作特点上呈现出明显的变化。许多作家着力于从时代、历史和现实关系中描写人物性格、刻划人物形象,以前创作中曾经一度出现过的私人写作、个人写作和游戏主义倾向得到了有力的矫正。许多作家强调作品的社会使命和教育功能,实现了一次由“向内转”到“向外转”的深刻转型。其中反映爱情、婚姻与个人生活的《镜中》《长夜》《个人主义的孤岛》,表现现实生活题材的《人世间》《桂香街》《烟火漫卷》和描写历史题材的《山本》《刻骨铭心》《文城》等作品,是“向外转”的突出代表,表现出与以往文学迥然有别的特色。“向外转”是新时代文学的一种自觉追求,值得关注和思考。Since 2012, Chinese new era literature has shown obvious changes in the characteristics of creation. Many writers focus on describing the characters’ character and image from the relationship between times, history and reality;The private writing, the personal writing, and the gamist tendencies that had once appeared in the past were powerfully corrected. Many writers emphasize the social mission and educational function of their works and realize a profound transformation from “turning inward” to “turning outward”. Among them, “In the Mirror”, “The Long Night” and “The Island of Individualism” reflect love, marriage and personal life, “A Lifelong Journey”, “The Street of Sweet Fragrance” and the “Fireworks Billow” show real life, and “the Mountain”, “Unforgettable” and “Wen Cheng” describe history, these works are outstanding representatives and deserve in-depth analysis and research.

关 键 词：向外转 新时代文学 社会使命 风格转变 

分 类 号：I024[文学—文学理论]