粤北客家宗祠建筑的崇高性探析  

Exploration on the Sublimity of Ancestral Halls of the Hakkas in North Guangdong Province

作　　者：蔡泉源 赖隽龙 Cai Quanyuan;Lai Juanlong(School of Art and Design,Shaoguan University,Shaoguan 512005,China)

机构地区：[1]韶关学院美术与设计学院,广东韶关512005

出　　处：《艺术与设计（理论版）》2023年第1期79-81,共3页Art and Design

基　　金：广东省高等教育学会“十四五”规划课题“粤东西北乡土文化融入本地高校美术学科发展路径研究”(22GYB91);广东省级大学生创新创业训练计划项目资助“粤北客家宗祠建筑文化元素在空间设计中的传承与应用研究”(S202210576043)。

摘　　要：粤北客家宗祠建筑是不同时代粤北客家人生活变迁的见证,饱含粤北客家人的家族情感与历史记忆,其中蕴含的许多信息都具有重要的文化与审美价值。文章基于田野调查所获得的文化信息,以“崇高”思想的理论视角来剖析粤北客家宗祠建筑与崇高性之间的文化关系,阐释粤北客家宗祠建筑的文化价值,以期唤起人们对其文化进行更好的保护和传承。The ancestral halls of the Hakkas in north Guangdong Province,witnessing the life changes of the Hakkas in different times,embody the feelings of the Hakkas towards their kin and historical memories and much information contained in the ancestral halls has significant cultural and esthetic values.The study,based on cultural information derived from field investigation,analyzes the cultural relationship between the ancestral halls of the Hakkas in north Guangdong Province and the sublimity from the theoretical perspective of“sublime”thought,elucidates the cultural values of the ancestral halls of the Hakkas in north Guangdong Province with an aim to arouse people’s awareness to better protect and preserve its cultures.

关 键 词：客家文化 宗祠建筑 崇高性 

分 类 号：TU-0[建筑科学—建筑理论]