抱朴含真,匠心独运——徐占海钢琴独奏作品《年画》和声手法探析  

An analysis of harmonic techniques in Xu Zhanhai’s solo piano work New Year Pictures

作　　者：王萃[1] 杨金子[1] Wang Cui;Yang Jinzi

机构地区：[1]中国音乐学院

出　　处：《乐府新声（沈阳音乐学院学报）》2022年第4期39-47,共9页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

基　　金：中国音乐学院校内项目(专项资金类)《中国当代歌剧的和声语言与创作思维研究》(20222001/028)研究成果。

摘　　要：《年画》是作曲家徐占海先生自2015年起创作的儿童钢琴套曲《儿童画意钢琴曲集》中的最后一首。徐占海先生运用了五声性调式和声中的各类音高组织手法,综合了主调与复调音乐的写作特征,作品整体呈现出丰满、热烈的音响效果。本文将从作品的旋律与结构特征、五声性调式和声手法的运用、复合结构手法的运用、附加音与省略音的应用以及功能性与非功能性交叠几个方面对《年画》的和声手法进行分析,来探索作曲家在小型器乐作品创作中音高组织的个性化特点。The piano work "New Year Pictures" is the last piece of "Children’s Painting Piano Collection" created by composer Xu Zhanhai since 2015. Xu Zhanhai uses various pitch organization techniques in pentatonic mode and harmony, integrates the writing characteristics of main tone and polyphonic music, and the whole work presents a full and enthusiastic sound effect. This paper will analyze the harmonic technique of the New Year Pictures from several aspects:melody and structural characteristics, the application of pentatonic mode harmonic technique,the application of compound structural technique,the application of additional tone and ellipsis, and the overlap of functional and non-functional,to explore the personalized characteristics of the pitch organization of composers in small instrumental works.

关 键 词：五声性 功能 非功能 异质音 复合 

分 类 号：J614.1[艺术—音乐]