中国古代思想中的情与感及在美学中体现  

The Feeling and Feel in Thought of Ancient China and their Aesthetic Expression

作　　者：张法 Zhang Fa

机构地区：[1]四川大学文学与新闻学院,成都610064

出　　处：《中国高校社会科学》2023年第1期105-113,159,共10页Social Sciences in Chinese Higher Education Institutions

摘　　要：中国古代思想,由古代汉语的单音节词组成。在主体心理中,情与感既有内在关联,又有功能分工。情,重在主体心理;感,重在主体与世界的关联。中国美学之情,在性、心、欲、意、志、情的整体中运行。性、心、欲与意、志、情是整体的体用关系。在整体基础上,情又有自己的类型功能划分,如心理上的七情等和审美上的悲喜等。中国美学的感与情,形成自身的体系。从情来讲,它是以阴阳之美和阴柔之美为基础的多层多向展开;从感来讲,第一,它以虚实相生的通感为主;第二,它要求从眼耳等感官到心理整体以至宇宙整体的运行。The thought of Ancient China expressed by the classic Chinese which is consist of single syllable words. In its psychological terms feeling and feel not only have intrinsic relation but also functional division. Feeling mainly represents the one of mind elements and feels focus on the connection between subjective mind and objective world. The aesthetic feeling in China is of work in the whole including nature, mind,desire, will, determination and feeling. Above those elements, nature、mind and desire belong to ontology and will, determination and feeling application. In terms of feeling it has its own functional division. The Chinese feeling and feel in aesthetics forms its own system.

关 键 词：中国古代的情与感 中国美学 感与情的审美类型 中国型通感 

分 类 号：B83-0[哲学宗教—美学]