佛传与史诗  

Buddha Biographies and Epics

作　　者：侯传文[1] Hou Chuanwen(School of Liberal Arts,Qingdao University,Qingdao 266071,China)

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《东方论坛（青岛大学学报）》2023年第1期49-60,共12页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：国家社会科学基金冷门绝学研究专项“印度佛传文学资料整理与研究”(2018VJX033)的阶段性成果。

摘　　要：佛传与史诗是印度文学史上两种不同的文学体裁,属于不同的文类范畴,但二者却有着非常密切的关系。在佛传文学的形成时期,印度两大史诗已经广泛流传,对正在形成过程中的佛传产生了较大影响,形成比较明显的互文性。公元2—3世纪产生的《佛所行赞》和《佛本行经》等史诗型佛陀传记,是佛传与史诗结合的产物,从内容看是佛传,从文体看是史诗,具有独特的文体学意义。史诗型佛传不仅体现了史诗从口头文学到书面文学、从民间文学到文人创作的发展历程和诗学特性,而且艺术风格从素朴到铺张,开了印度文学史上文人“大诗”创作之先河。Buddha biographies and epics are two different literary genres in the history of Indian literature,belonging to different literary categories,but they have a very close relationship.In the formative period of Buddha biographical literature,the two Indian epics had been widely circulated and had a great infuence on Buddha biographies which were then in the process of formation,resulting in a fairly obvious intertextuality.Buddha biographies such as Buddhacarita produced in the 2nd and 3rd centuries are the product of combining Buddha biographies with epics.They are Buddha biographies in content and epics in style,with unique stylistic significance.The epic-style Buddha biographies not only reflect the development and poetic characteristics of epics from oral literature to written literature,from folk literature to literati creation,but also the artistic style from simplicity to extravagance,which brought about frst"Mahākāvya"creation by the literati in the history of Indian literature.

关 键 词：佛传文学 史诗 史诗型佛传 大诗 

分 类 号：B949.9[哲学宗教—宗教学] I207.99[文学—中国文学]