李白诗“人”意象的文化内涵与天人合一的境界  

The Cultural Connotation of the “Human” Image in Li Bai’s Poems and the Realm of the Unity of Heaven and Man

作　　者：王素美[1] WANG Sumei(College of Literature,Hebei University,Baoding,Hebei 071002,China)

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2023年第1期66-73,共8页Journal of Hebei University(Philosophy and Social Science)

摘　　要：李白诗歌使用了大量“人”意象,构成了其区别于别家诗歌的重要特点。这些“人”意象是其哲思和诗意的体现,具有重要的文化内涵。具体而言,他用诗的语言展示了对儒释道三个文化层面兼容的认识,同时展现了自己儒释道兼容认知的思想感情,且将这种情感认知内化为个体主体精神,并在更高范畴上与中国哲学的知情意保持了很强的一致性,以力求实现情感与意志的超越,从而达到天人合一的思想境界。Li Bai’s poems use a large number of “human” images, which constitutes an important feature different from other poets’ poems.These “human” images are the embodiment of his philosophy and poetry, and have important cultural connotations.Specifically, he used the language of poetry to show his understanding of the integration of Confucianism, Buddhism and Taoism at three cultural levels, and also showed his own thoughts and feelings of the integration of Confucianism, Buddhism and Taoism.He internalized this emotional cognition into the spirit of individual subject, and maintained a strong consistency with the understanding of Chinese philosophy in a higher category, in order to strive to achieve the transcendence of emotion and will, so as to achieve the ideological realm of the unity of heaven and man.

关 键 词：李白 人意象 主体精神 天人合一 

分 类 号：I206.2[文学—中国文学]