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作 者:祁志祥 QI Zhixiang
机构地区:[1]上海交通大学人文艺术研究院,上海200030
出 处:《上海视觉》2022年第2期12-17,共6页Shanghai Vision
基 金:2016年国家社科基金后期资助项目《中国现当代美学史》(16FZW052)部分成果。
摘 要:金开诚的《文艺心理学论稿》在上世纪八十年代的文艺学研究中开心理学文艺学研究风气之先。稍后完善的《文艺心理学概论》突破原来的机械唯物论思路,将探讨的触角深入到大脑活动的三种特性和法则,延展到过去被视为禁区的文艺创作和欣赏中的感性心理活动,突出了作家艺术反映现实中的主观能动性,提出了文艺创作心理活动的“三环论”原理,在理论的体系性、逻辑的严密性方面较前部论文集有了极大的提升,在若干问题的论析方面有了很大的深化,堪称这个时期文艺心理学研究方面的代表性著作。JIN Kaicheng's book The Manuscript of Literature and Art Psychology was the pioneering research into the literature and art in the 1980s.Another book of his entitled An Outine of Literature and Art Psychology,which was published later upon the improvement and perfection of the former book,broke through the original idea of mechanical material-ism,It explored three characeristics and laws of brain activities and extended to the per-ceptual psychalogical activities in literary and artistic creation and appreciation,which were regarded as forbiden areas in the past.He highlights the subjective initiative of the writer's art in his endesvor to rffect realty,and puts forward the"Three Steps Theory"principle of the psychological activities of literary and artistic creation.Compared with the previous col-lection of papers,the theory has seen a big step forward in terms of systematicness and the deepening of the analysis of several issues to a degree It is therefore rated as a representa-tive work in the feld of iterature and art psychology research in that period of time.
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