美丽与闺情的镜像时空:闺中对镜诗词的写作范式及审美构思  

Mirror Space-time of Beauty and Boudoir Love:Writing Paradigm and Aesthetic Conception of Mirror Poetry in Boudoir

作　　者：庞明启 Pang Mingqi

机构地区：[1]四川外国语大学中国语言文化学院

出　　处：《励耘学刊》2022年第2期40-61,M0004,M0005,共24页

基　　金：国家社会科学基金重大项目“中国词学通史”,项目编号:17ZDA239。

摘　　要：镜子是女子化妆的首要之具,在闺情题材的意象群中占据重要地位。镜像时空的组织排列形态直接决定了闺中对镜诗词的写作范式及审美构思。在一重镜像时空的构想中,闺中镜不仅是妆奁中一物,而且是真正与女子长相厮守且具有人格性能的事物。在双重镜像时空的构想中,作者以女子的视角进行昔日欢爱与今日寂寞、昔日美丽与今日老丑的强烈时间对比,也进行明镜与尘镜、镜面与镜背以及镜内外双美人、双愁人的强烈空间对比。在多重镜像时空的构想中,作者借助月与水的比喻和对照,将幽闺的哀怨释放到广阔的天地之中,以获得普遍的情感呼应和哲理认同。The mirror is the primary tool of women's make-up,and occupies an important position in the image group of boudoir theme.The organization and arrangement of mirror space-time directly determines the writing paradigm and aesthetic conception of mirror poetry in boudoir.In the conception of single-layer mirror space-time,the boudoir mirror is not only a thing in the dowry,but also a thing that really stays with women and has personality performance.In the conception of double-layer mirror space-time,the author makes a strong time comparison between the former love and today's loneliness,the former beauty and today's old ugliness from the perspective of women,as well as a strong space comparison between the bright mirror and the dusty mirror,the front and back of the mirror,as well as the double beauty and double sorrow inside and outside the mirror.In the conception of multilayer mirror space-time,with the help of the metaphor and comparison of moon and water,the author releases the sadness of the boudoir into the vast world,so as to obtain universal emotional and philosophical recognition.

关 键 词：闺情 对镜诗词 镜像时空 写作范式 

分 类 号：I207.2[文学—中国文学]