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作 者:陈菁楠 CHEN Jingnan(School of Visual Communication and Design,Luxun Academy of Fine Arts,Dalian 116650,China)
机构地区:[1]鲁迅美术学院视觉传达设计学院,辽宁大连116650
出 处:《鞋类工艺与设计》2023年第2期120-122,共3页SHOES TECHNOLOGY AND DESIGN
摘 要:残缺美学是一种富有哲学意义的生活美学,从古至今无数艺术品、设计产品都有其身影。中国古时的朴素主义在一定程度上成就了残缺美,在欧陆和日本亦有彰显残缺美学的作品。残缺美在其中增添了一种事物本身的美好,没有完美的不真实,只有残缺的生命力。残缺美加注在包装容器的设计上,与产品本身产生共鸣,让受众贴切的感受到他们所购买的商品。Incomplete aesthetics is a kind of philosophical life aesthetics,since ancient times,countless works of art,design products have its figure.The ancient Chinese simplicity has achieved incomplete beauty to some extent,and there are also works showing incomplete aesthetics in Europe and Japan.Incomplete beauty in which adds a kind of beautiful thing itself to it,there is no perfect unreal,only incomplete vitality.In the design of the packaging container,it resonates with the product itself,so that the audience can properly feel the goods they buy.
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