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作 者:秦小童 陈良雨[1] 魏鸿宇 梁慧姣 QIN Xiaotong;CHEN Liangyu;WEI Hongyu;LIANG Huijiao(Yanching Institute of Technology College of Art,Sanhe City,Sanhe 065201,China)
出 处:《鞋类工艺与设计》2023年第2期135-137,共3页SHOES TECHNOLOGY AND DESIGN
摘 要:中国传统纹样是特定历史环境下的产物,其构型、寓意以及运用皆受其所在时代的政治经济、文化信仰、生存环境等因素的影响。到了现代社会,人们的意识形态、社会关系、审美倾向以及精神需求等要素已经与纹样形成时的情况相差甚远,因此,在传统纹样的现代化应用中,通常需要将其与现代环境相结合,融入现代设计理念,进行适当的二次设计处理,使设计出的产品既能保留传统纹样的历史底蕴,又能呼应现代消费者的审美需求。本文以中国传统纹样在结构上原有的构图规则为基础,结合现代审美和现代设计理念,分析将传统纹样现代化应用的设计思路及方法。The traditional pattern of China was born in specific historical conditions,left the carves of the then political economy,cultural beliefs,living environment factors on its generation,pattern,implication and application.In modern society,people’s ideology,social relations,aesthetic tendency and spiritual needs are far different from the original conditions when patterns were formed.Therefore,in the modern application of traditional patterns,it is usually necessary to incorporate them with the modern environment,inject modern design concepts,and carry out appropriate secondary design treatment,allowing the designed products can not only retain the historical details of traditional patterns,but also echo the aesthetic needs of modern consumers.This paper relies on the original composition rules of traditional patterns,unites with modern aesthetics and design concepts,analyzes the design ideas and methods of modern application of traditional patterns.
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