“U”型结构——论《文城》的叙事结构兼及余华的创作历程  

U-Shaped Structure:The Narrative Structure of Yu Hua’s Wencheng and His Creation Process

作　　者：翟文辉 郑云海[1] ZHAI Wen-hui;ZHENG Yun-hai(School of humanities,Kunming University,Kunming,Yunnan,650214,China)

机构地区：[1]昆明学院人文学院,云南昆明650214

出　　处：《盐城师范学院学报（人文社会科学版）》2023年第1期119-124,共6页Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)

基　　金：云南省教育厅科学研究基金研究生项目“《文城》:空间视域下的精神故乡”(2022Y775)。

摘　　要：余华的《文城》由两个故事组成,其各自形成心理层面上不同的“U”型结构。两个叙事结构因相似对称而成的“U”型图式又反映了余华创作的走向:从“残忍”和“温情”的身份书写获得社会认同到《兄弟》的“争议”和《第七天》的“滑铁卢”,形成余华的创作与被评价的“共振”历程。这个“共振”的“U”型结构中可以看到余华的写作历程和构成“创作共振”的因素,一定程度上可以管窥余华在未来文学写作情感上的转向。Yu Hua’s novel Wencheng consists of two stories,each of which contains a different U-shaped structure on the psychological level.The U-shaped structure is formed by the similarity and symmetry of the two narrative structures,which also reflects the characteristics of Yu Hua’s creation process:from the high praise of his cruel and affectionate touch of writing of identity,to the controversy over his novel Brothers and Waterloo of his another work The Seventh Day,which form the resonance of Yu Hua’s creation and evaluation of his works.From the U-shaped structure of the resonance we can discover Yu Hua’s writing process and the factors that constitute the creative resonance.To some extent,we can predict his emotional turn in future literary writing.

关 键 词：余华 《文城》 “U”型结构 创作共振 叙事结构 

分 类 号：I206.7[文学—中国文学]