游牧诗学——理解美国华人学者批评理论的一个视角  

Nomadic Poetics:A Perspective to Understand Overseas Modern Chinese Literatrue Studies

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作  者:李石 Li Shi

机构地区:[1]中山大学中国语言文学系

出  处:《中国比较文学》2022年第4期119-136,共18页Comparative Literature in China

基  金:中国国家社会科学基金青年项目“美国华人学者中国现代文学研究的批评伦理反思”(项目编号:22CZM 002)的阶段性成果。

摘  要:在西方后现代/后殖民语境中,“游牧”是指全球跨国迁移以及不断越界流动的思想批判意识。美国华人学者则将“游牧”视为审视其民族身份并确立主体位置的重要写作策略,其文学批评实践呈现出“游牧诗学”的特征:一是文化游牧,他们以多重文化身份和批判姿态游走于不同文化政治之间;二是理论游牧,他们与西方理论形成了一种“猎取”关系,理论形态呈现出混杂性;三是文本游牧,他们不断拓展文本边界,并“征用”文本来构建其文化政治诗学。“游牧诗学”视角有助于审视跨国知识流通机制下美国华人学者的理论生存状态,反思西方批评理论在中国的理论经验与问题,从而推动海外中国现代文学研究的反思性研究。In the context of western postmodernism and postcolonialism,nomadism refers to the transnational migration in the era of globalization and the critical ideology of continuous cross-border flow.At the same time,Chinese American scholars take nomadism as an important writing strategy to examine their national identity and re-establish their subjectivity.Their literary criticism also shows the characteristics of nomadic poetics.The first is cultural nomadism when they wander between different cultural politics with multi-cultural identity and critical attitude.The second is theoretical nomadism when they“hunt”a large number of western theories,forming a pluralistic and mixed theoretical form.The third is textual nomadism when they constantly expand the text boundary and“expropriating”the text to build their cultural and political poetics.“Nomadic Poetics”helps to examine the theoretical situation of Chinese American scholars under the transnational knowledge circulation mechanism,and effectively reflect on the theoretical experience and problems of Western critical theory in China,and thus promote the reflection on overseas Chinese modern literature research.

关 键 词:游牧诗学 海外中国现代文学研究 批评理论 后殖民主义 

分 类 号:I0[文学—文学理论]

 

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