面向诗歌本体的节奏诗学研究——读王雪松的《节奏与中国现代诗歌》  

Rhythmic Poetic Study Oriented to Poetry Noumenon:on Wang Xuesong’s Rhythm and Modern Chinese Poetry

作　　者：吴锐 WU Rui(School of Literature,Central China Normal University,Wuhan 430079,Hubei,China)

机构地区：[1]华中师范大学文学院,武汉430079

出　　处：《武汉理工大学学报（社会科学版）》2022年第6期188-192,共5页Journal of Wuhan University of Technology:Social Sciences Edition

基　　金：国家社会科学基金重大项目“中国新诗传播接受文献集成、研究及数据库建设(1917-1949)”(16ZDA240)。

摘　　要：《节奏与中国现代诗歌》一书立足于中国现代诗歌的本体研究,从“中国现代诗歌节奏”这个重要的诗学概念出发,廓清以往“节奏”和“格律”概念的含混状况,阐明中国现代诗歌节奏的性质、形态和功能,并对“自然音节节奏论”、“情绪节奏论”、“谐和节奏论”三种诗歌节奏理论进行阐释和辨析,最后,从比较诗学的视野出发,考察中国现代诗歌节奏与古代诗歌节奏以及西方诗歌节奏的互动与转化。通过一系列的梳理、论述与探究,作者基本构建了中国现代诗歌节奏的研究体系和研究框架,尝试搭建了各种节奏理论交流与对话的平台。Rhythm and Modern Chinese Poetry is based on the noumenal research of modern Chinese poetry,starting from the important poetic concept of“rhythm of modern Chinese poetry”,clears out the ambiguity of the concepts of“rhythm”and“meter”in the past,and clarifies the nature,form and function of rhythm in modern Chinese poetry.It also interprets and distinguishes three poetic rhythm theories,namely,“natural syllable rhythm theory”,“emotional rhythm theory”and“harmonic rhythm theory”.Finally,from the perspective of comparative poetics,it examines the interaction and transformation between modern Chinese poetry rhythm and ancient poetry rhythm as well as western poetry rhythm.Through a series of combing and discussion,the author basically constructs the research system and framework of the rhythm of Chinese modern poetry,and tries to build a platform for the exchange and dialogue of various rhythm theories.

关 键 词：中国现代诗歌 节奏 标点 虚词 比较诗学 

分 类 号：I22[文学—中国文学]