“预构”及衍生——韦伯恩《三首歌》(Op.25)的十二音序列技法分析  

PRE-CONSTRUCTION AND DERIVATION:THE TWELVE-TONE TECHNIQUE IN WEBERN’S OP.25 THREE LIEDER

作　　者：田园 TIAN Yuan

机构地区：[1]安徽艺术学院,安徽合肥230000

出　　处：《音乐探索》2023年第1期60-74,共15页Explorations in Music

摘　　要：简洁、极具推理性以及最大限度地组织化代表了韦伯恩音乐创作的一些重要特征,通过“预构”((1))某些材料使其不断衍生,则成为实现这种具有高度理性的、组织化音乐的重要手段,此种做法在其晚期的一些作品中体现得尤为明显。论文以韦伯恩在其十二音序列技法的成熟期创作的声乐套曲《三首歌》(Op.25)为研究对象,通过分析其如何通过所“预构”的材料衍生出整套作品,以获得音乐的凝聚力与音响同质性,并以此为研究视角,进一步探讨韦伯恩的十二音序列技法特征。Being concise,deductive and systematic to the maximum are some of the important characteristics of Webern’s music.They are achieved by constant derivations through“pre-construction”which is evident particularly in Webern’s later works.Vocal suite Three Lieder was written when Webern was skillful in using twelve-tone technique.With Three Lieder as the object of study,the article analyzes how pre-constructed materials frame the vocal suite and enrich it with cohesion of music.And in this angle of study,the article further probes into the features of Webern’s using twelve-tone technique.

关 键 词：韦伯恩 “预构” 集合3-3 对称 不变性 

分 类 号：J614[艺术—音乐]