蒙古族四胡制作技艺调查研究  

A Research on the Making Techniques of the Mongol Four-stringed Instrument

作　　者：刘婷坤 胡阿菁 仪德刚 LIU Tingkun;HUAjing;YI Degang(Marxism College,Inner Mongolia University of Technology,Hohhot 010051,China;Hohhot Vacation College,Hohhot 010050,China;College of Humanities,Donghua University,Shanghai 201620,China)

机构地区：[1]内蒙古工业大学马克思主义学院,内蒙古呼和浩特010051 [2]呼和浩特职业学院师范部,内蒙古呼和浩特010050 [3]东华大学人文学院,上海201620

出　　处：《广西民族大学学报（自然科学版）》2022年第4期9-16,共8页Journal of Guangxi Minzu University ：Natural Science Edition

基　　金：2022年度内蒙古自治区高等学校科学技术研究项目(NJSY22391);内蒙古高校人文社科重点研究基地“铸牢中华民族共同体意识实践路径研究平台”研究成果;国家社会科学基金冷门“绝学”和国别史等研究专项项目(19VJX143)。

摘　　要：蒙古族四胡作为传统蒙古族弓弦乐器广泛流传于内蒙古、东三省等蒙古族聚集地区。包雪峰在制作蒙古族四胡方面具有深厚的积淀,详细考察其从备料、加工到制作琴筒、琴轴、琴杆、琴托,再到组装上弦、试音的整个流程,发现蒙古族四胡制作工艺的核心技艺是琴筒蒙皮,也是决定蒙古族四胡优劣的关键。在加强非遗传承保护的今天,内蒙古高校开设民族乐器制作课程成为当代传承和发展蒙古族乐器制作工艺的新路径。As a traditional Mongolian bowstring instrument,Mongol four-stringed is widely spread in Mongolian gathering areas such as Inner Mongolia and the three eastern provinces.Bao Xuefeng has a deep background in the production of Mongol four-stringed instrument,after a detailed investigation of the whole process,from material preparation,processing to the production of the barrel,shaft,rod and bracket,to the assembly of the strings and the audition,he found that the core technology of Mongolian four stringed instruments is the skin of the barrel,which is also the key to determine the advantages and disadvantages of Mongolian four stringed instruments.In today's era of strengthening the inheritance and protection of intangible cultural heritage,offering the course of making ethnic musical instruments in colleges and universities in Inner Mongolia has become a new path for the contemporary inheritance and development of Mongolian musical instrument making technology.

关 键 词：蒙古族四胡 蒙皮技艺 工艺创新 

分 类 号：TS95[轻工技术与工程]