“唐人始有意为小说”与鲁迅的汉唐小说史识  

The Thesis that“the Tang People Started to Create Fictions Consciously”and Lu Xun s Insight into the Hang-Tang Fictional History

作　　者：甘文博 GAN Wen-bo(School of Chinese Literature and Cultural Communication,Tianshui Normal University,Tianshui 741001,China)

机构地区：[1]天水师范学院文学与文化传播学院,甘肃天水741001

出　　处：《西华师范大学学报（哲学社会科学版）》2023年第1期90-97,共8页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：国家社会科学基金项目(19XZW011)。

摘　　要：为研究者广泛关注并争论不休的“唐人始有意为小说”这一论断,是《中国小说史略》汉唐部分的总命题,承载着鲁迅以“演进”为核心的古代小说发展观和他在汉唐小说文体、内容、艺术等方面的“选择”与“定性”原则。“论断”强调的不是唐人才开始有意识地创作小说,而是唐人开始有意识地创作“写人”的、重视艺术和审美的文学性小说,进而揭示唐人小说在古代小说史中的重要位置和意义。研究者在理解和讨论这一“论断”时,应当注意其时代学术研究的局限,也应予以学术史层面的“了解之同情”。The thesis that“the Tang people started to create fictions consciously”has been widely concerned by researchers and arouses endless controversy.It is the general proposition of the Han-Tang part of the A Brief History of Chinese Fiction,which carries Lu Xun s concept of development of ancient fictions with“evolution”as the core and his“choice”and“qualitative”principles in terms of style,content and art of Han-Tang fictions.What the thesis emphasizes is not that the Tang people started to consciously create novels,but that the Tang people started to consciously create literary fictions that“portray people”and attach importance to art and aesthetics,thus revealing the important position and significance of the Tang people s fictions in the history of ancient fictions.Understanding and discussing this thesis,researchers should pay attention to the limitations of academic research in their time,and should also give it“sympathy for understanding”in the sight of academic history.

关 键 词：鲁迅 《中国小说史略》 中国古代小说 小说史 史识 

分 类 号：I207.409[文学—中国文学]