中国书法的色彩学探微  

The Chromatics of China's Calligraphy

作　　者：黄业达 Huang Yeda(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《流行色》2023年第1期94-96,共3页Fashion Color

摘　　要：纵观中国书法史,谈到中国书法中的色彩,我们最容易想到“黑”和“白”,从观念层面,黑和白所蕴含的是“阴和阳”,从书法中的阴阳观念所折射出的书法用色理论依据,再到“墨分五色”所呈现的历史脉络与人文精神,可见色彩在书法中的意义和作用。色彩在书法中的观念性、装饰性、构成意识,及其在视觉文化层面的运用和象征等问题,均为中国书法的“色彩学”研究的重要内容。Throughout the history of calligraphy in China,when talking about the colors in China's calligraphy,we can easily think of"black"and"white".From the conceptual level,black and white contain"yin and yang".From the theoretical basis of calligraphy color use reflected by the concept of yin and yang in calligraphy,to the historical context and humanistic spirit presented by"ink divided into five colors",we can see the significance and function of colors in calligraphy.In calligraphy,the concept,decoration,composition consciousness of color,and its application and symbol in visual culture are all important contents in the study of China's calligraphy.

关 键 词：书法 色彩学 阴阳 墨分五色 

分 类 号：J29[艺术—美术]