残雪的放逐与坚守:从精神审丑到证伪神明——从《黄泥街》到《茶园》  

Can Xue’s Exile and Persistence:from the Spiritual Ugliness’Appreciation to the Holiness’Falsification——from The Yellow Mud Street to The Tea Garden

作　　者：王加勉 郭剑卿[1] WANG Jia-mian;GUO Jian-qin(School of Literature,Shanxi Datong University,Datong Shanxi,037009)

机构地区：[1]山西大同大学文学院,山西大同037009

出　　处：《山西大同大学学报（社会科学版）》2023年第1期97-100,116,共5页Journal of Shanxi Datong University(Social Science Edition)

基　　金：山西大同大学研究生教育创新项目“残雪小说对中国巫楚文化的演绎与互证”(21CX27)。

摘　　要：近四十年的写作生涯中,残雪前期之作《黄泥街》与近期之作《茶园》存在接续性,前者的精神叙事、以丑为美的叛逆和诗性的语言可与后者证伪乌托邦的立场形成互证。在文本细读基础之上,发掘残雪小说写作中深层的现代性价值,能更好地解读残雪创作的精神内核、创作底线和对媚俗自始至终的放逐。During the nearly 40 years’writing career of Can Xue,there is a continuity between her earlier work The Yellow Mud Street and her recent work The Tea Garden,the former work’s spiritual narration,poetic words and rebellious took ugliness as beauty,also linked and verified the modernity of the latter’s false utopia mutually.On the basis of careful text reading,we can better understand the spiritual core of Can Xue’s literary writing,the exile of kitsch expression,and her bottom line of creation by exploring the deep modernity value’s persistence.

关 键 词：茶园 黄泥街 残雪小说 现代性价值 

分 类 号：I206[文学—中国文学]