21世纪德语区东亚艺术史研究——以中国传统绘画为例  

Research on East Asian Art History in German-speaking Regions in the 21st Century:Taking Traditional Chinese Paintings as an Example

作　　者：黄春梦 Huang Chunmeng

机构地区：[1]柏林自由大学历史文化学院艺术史系

出　　处：《美术》2023年第2期17-29,共13页Art Magazine

摘　　要：20世纪初期东亚艺术史在德语区兴起之后,并未以一种蔓延的态势蓬勃发展,反而在四五十年代由于政治原因迎来了停滞状态。复苏之后的德语区东亚艺术史研究虽不复昔日态势,但与初期相比,其研究主题与方法已有显著革新。本文简要回溯了20世纪初期至今德语区东亚艺术史研究的发展历程,厘清其发展脉络和师承谱系,并就21世纪德语区学者在中国传统绘画领域的研究动态作重点阐述。在宏观审视其动态发展的基础上,选择相关研究案例,以他们的研究主题和研究方法作为切入点考察其研究思路,并结合案例分析当代德语区学者面临的研究困境和局限性。The research on East Asian art history rose in German-speaking regions in the early 20th century,but did not flourish.Instead,it was stagnated due to political reasons in the 1940s and 1950s.Later,although the research did not return to its past boom,it took on new themes and methods.This paper briefly traces East Asian art history research in German-speaking regions from the early 20th century,clarifies its development and lineage,and focuses on research trends in traditional Chinese paintings in the 21st century.On this basis,this paper analyzes research ideas of certain cases from the perspectives of topics and methods,and research dilemmas and limitations faced by contemporary scholars in German-speaking regions.

关 键 词：德语区 东亚艺术史 中国美术史 方法论 

分 类 号：J212[艺术—美术]