20世纪初巴黎美院在中国的影响与认同  

Influence and Reception of the Ecole Nationale Supérieure des Beaux-Arts in Paris during the Early 20th Century in China

作　　者： Philippe Cinquini

机构地区：[1]上海外国语大学法语系 [2]法国高等院校考古学与艺术史教授协会

出　　处：《美术》2023年第2期76-86,共11页Art Magazine

摘　　要：20世纪上半叶,不少中国艺术大师有过求学于巴黎国立高等美术学院的经历。在留法热潮刚刚掀起的时候,中国艺术界已有关于巴黎美院的信息报导和就读建议。以留法先驱李超士为例,其求学经历对当时即将赴法的学子们而言,是难得的指引与榜样。中国艺术家前往巴黎美院学习深造,这一行为是一个庞大的实验探索运动的组成部分,它深刻地改变了20世纪的中国艺术领域,同时使蔡元培得以在美术领域培养中国社会变革运动中坚强的守护者。In the first half of the 20th Century,many Chinese art masters went abroad to study at the Ecole Nationale Supérieure des Beaux-Arts in Paris.When the craze for studying in France first started,the Chinese art community already had information and suggestions for this school.Taking Li Chaoshi,a pioneer of studying in France,as an example,his study experience was a rare guide and example for students who were about to go to France at that time.The fact of Chinese artists studying at the French school was part of a vast experimental and exploratory movement that profoundly transformed Chinese art in the 20th Century and enabled Cai Yuanpei to foster strong art guardians in China’s social change movement.

关 键 词：巴黎国立高等美术学院 留法艺术家 蔡元培 李超士 

分 类 号：J156.5[艺术—艺术理论] K27[历史地理—历史学]