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作 者:安葵[1] An Kui(The Opera Research Institute of the Chinese National Academy of Art,Beijing,100029)
出 处:《民族艺术研究》2023年第1期80-87,共8页Ethnic Art Studies
摘 要:田汉的戏剧批评与其社会批评、创作生涯、戏剧活动和组织领导工作紧密结合,伴随其一生。他的戏剧批评包含在理论研究、政策阐释、工作报告、评论、咏剧诗等各种形式的文章中。他的戏剧批评站在人民的立场,对作品进行诗意的解读,以真挚的感情评价戏剧家。他的戏剧批评产生了广泛的社会影响,对今天的批评工作有重要启示。Drama criticism is closely connected to social criticism, creative career, dramatic activities and leadership of organization in the whole life of Tian Han. His drama criticism is contained in various forms such as theoretical research, policy interpretation, work report, comments, and chanting poems. From the standpoint of the people, his drama criticism gave a poetic interpretation of his works, and he evaluated the dramatist with sincere feelings. His dramatic criticism exerted wide social impact, which also impacts the criticism work today.
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