莫言《贼指花》语境差现象浅析  

Analysis on the Phenomenon of Poor Context in Mo Yan’s The Flower Made of the Thief’s Fingers

作　　者：朱丹 ZHU Dan(School of Literature,Fujian Normal University,Fuzhou,Fujian 350007)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《武夷学院学报》2023年第1期38-42,共5页Journal of Wuyi University

基　　金：福建省社会科学规划项目(FJ2021B103)。

摘　　要：语境即使用语言的环境,语境各要素之间使用的不平衡造成语境差,而语境系统内各因素相互作用,对其不平衡起到了调节作用,使之达到深层平衡的同时传递美学信息。莫言的小说《贼指花》呈现出丰富的语境差现象,主要体现在语符层面、逻辑层面、内容与形式、作品人物与读者之间、不同读者的读解之间等方面,这些语境差对塑造人物形象、推进故事情节发展、揭示文章深刻意蕴有着不可替代的作用。从颠覆到重建,小说表层与深层进一步相融合。从语境差的视角切入,试图用修辞学方法分析文本,使其带来全新的审美体验。Context refers to the environment in which a language is used. The unbalanced use of various elements of context results in poor context. However, the interaction of different factors in the context system adjusts the imbalance, so as to achieve deep balance while delivering aesthetic information. There is a rich phenomenon of poor context in Mo Yan’s The Flower Made of the Thief’s Fingers. It is mainly reflected in the semiotic level, logic level, content and form, characters and readers,different reader’s understanding and so on.These phenomena of poor context play an irreplaceable role in shaping characters, promoting the development of story plots and revealing the profound meaning of the article. From subversion to reconstruction, surface layer and deep layer of the novel are further integrated.From the perspective of poor context, this paper attempts to use rhetoric to analyze the text so as to bring a new aesthetic experience.

关 键 词：莫言 《贼指花》 语境差 不平衡 审美价值 

分 类 号：H05[语言文字—语言学]