民间鼓吹乐艺人身份建构与认同  

The Identity Construction and Identification of the Non-official Drummer

作　　者：张黎黎 ZHANG Li-li(College of Art,Anhui University of Finance and Economics,Bengbu 233030,China)

机构地区：[1]安徽财经大学艺术学院,安徽蚌埠233030

出　　处：《宁波大学学报（人文科学版）》2023年第2期119-125,共7页Journal of Ningbo University：Liberal Arts Edition

基　　金：国家社科基金艺术学项目“藏传佛教中汉藏音乐文化交流遗存的考察与研究”(19BD066);安徽省高等学校省级质量工程项目“新文科建设背景下‘跨界互融’艺术人才培养体系个案分析与研究”(2020wyxm016);安徽财经大学校级科研项目“民间音乐家身份认同研究”(ACKYC20081)。

摘　　要：20世纪90年代,民族音乐学研究开始关注“人”作为个体的存在对民间音乐及其社会关系的价值和意义,学界研究民间鼓吹乐艺人大多围绕“乐种和乐社”,对个人身份认同的关注较少。以鼓吹乐艺人为例,分析转型期区域群体、专业技艺和管理体制等对民间鼓吹乐艺人身份建构与认同影响,从民间性、专业性与合法性(文化身份)的层面提出鼓吹乐艺人的身份建构与认同策略:加强区域群体对民间鼓吹乐艺人体认,从社会需求层面定位民间鼓吹乐艺人专业技艺发展方向,社会管理层应赋予民间鼓吹乐艺人文化身份。Since the 1990s, ethnomusicological studies has begun to pay attention to the value and significance of human being as an individual to the understanding of folk music and its social relations. The present studies on the non-official drummer mainly focus on the understanding of music genres and music clubs, neglecting their personal identity. The paper intents to take the common drummer as an example and to analyze the impacts of the three elements, i.e., the regional group, the technical skill, and the management system on the identity construction and identification with the folk music player. It further points out the corresponding strategies from the aspects of folklore, professionalism and legitimacy, i.e., to strengthen the cognition of regional community on the drummers, to evaluate their professional skills from the social demand perspective, and to confirm their identity by the social management sectors.

关 键 词：鼓吹乐艺人 民间乐社 身份建构 身份认同 

分 类 号：J632[艺术—音乐]