副文本的文化重构:《生死场》初版封面与萨满文化  

Cultural Reconstruction of Para-text:The First Edition Cover of“The Field of Life and Death”and Shamanic Culture

作　　者：廖光发 LIAO Guang-fa(Kunming University,Kunming 650000,China)

机构地区：[1]昆明学院人文学院,云南昆明650000

出　　处：《哈尔滨学院学报》2023年第2期98-102,共5页Journal of Harbin University

基　　金：国家社科基金,项目编号:16XZW017。

摘　　要：封面作为新文学副文本,蕴含独特内涵,但萧红设计的《生死场》初版封面,其文化内涵的解读处于“失语”状态。图画是作家对作品内容或主旨的另一种形象表达,能补文字之不及。因此,萧红设计的封面也存在意蕴,具体表现为“人与动物共同体”、“天—人”关系的失衡、黑土与母系、萨满文化与故乡的生命思考。这些表达也在正文本中得到印证,正、副文本产生了互文。The cover,as a para-text of new literature,contains unique connotation.However,the interpretation of the cultural connotation of the first edition cover of“The Field of Life and Death”designed by Xiao Hong is in a state of“aphasia”.The picture is another kind of image expression of the writer to the content or theme,which can complement the words.Therefore,the cover also has implications,which are embodied in the imbalance of“human and animal community”,“nature-man”relationship,black soil and matriarchy,and the life thinking of Shaman culture and hometown.These expressions are also confirmed in the original text,and the original text and the auxiliary text produce intertextuality.

关 键 词：萧红 《生死场》 初版封面 副文本 萨满文化 

分 类 号：I207.425[文学—中国文学]