政治想象的三副面孔:19世纪中叶《伦敦新闻画报》中的叶名琛形象  

Three Faces of Political Imagination: On the Image of Ye Mingchen in The Illustrated London News in the Mid-19th Century

作　　者：季念[1] JI Nian(School of Literature and Journalism,Xiangtan University,Xiangtan 411105,China)

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《湖南科技大学学报（社会科学版）》2023年第1期124-132,共9页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省哲学社会科学基金项目(19JD64)。

摘　　要：19世纪中叶的《伦敦新闻画报》塑造了“顽固不化”“残忍嗜血”“渊默镇静”的叶名琛形象。该形象的构建处于文本间性与图像间性的合力之下,体现了该报与《泰晤士报》及政治语境中声音的回响与共振,借助新闻“内文本性”实现的意义再生以及叶氏肖像与其他画像在互文中生成的可能意涵。该形象的生成缘于该报在“英国性”主导下的表征:它受维多利亚时代中期英国商业利益的驱使,承载着捍卫帝国荣誉与尊严的使命,也出于对英国民族优越性的鼓吹。它对考察西方新闻文本中的中国人形象具有较大的启发意义。In the mid-19th century, The Illustrated London News represented Ye Mingchen as “obstinate”, “bloodthirsty” and “calm”. Ye’s image was constructed by the combination of inter-textuality and inter-pictoriality, which was reflected in the echo and resonance of the voice of The Times and political context, the regeneration of meaning realized by inner-textuality, and the possible meanings generated by the interaction between Ye’s portrait on The Illustrated London News and his other portraits. Ye’s image was shaped by “Britishness”: it was driven by British commercial interests in the mid-Victorian era, carrying the mission of defending the honour and dignity of the empire, and also preaching the superiority of the British nation. Ye’s image is also of great significance to the study of images of the Chinese in western news texts.

关 键 词：《伦敦新闻画报》 叶名琛形象 政治想象 图文关系 英国性 

分 类 号：I106[文学—世界文学]