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作 者:蓝涛 LAN Tao
机构地区:[1]上海戏剧学院科研处
出 处:《戏剧艺术》2023年第1期133-141,共9页Theatre Arts
摘 要:郑振铎在《元代“公案剧”产生的原因及其特质》一文中对元代公案剧的生成原因下过两个判断:其一,正因为元代大夜弥天,元代才产生了相当数量的公案剧;其二,正因为总是让清官惩处恶人,不容易获得普遍认同,元代才产生了不少具有超自然因素的公案剧。这两个“郑振铎公案剧命题”对元代公案剧研究富于启示意义。但遗憾的是,郑振铎并未对结论进行更加深入的阐发,仅有大致的推导过程。用马斯洛基本需要说及其衍生理论来观照这两个命题,可以发现它们背后的社会心理机制。Zheng Zhenduo made two arguments on the reasons of the arising of courtroom dramas in the Yuan Dynasty in his article“The Causes and Characteristics of Courtroom Dramas in the Yuan Dynasty”:one of his arguments is that dark forces hung over the whole society in the Yuan Dynasty,leading to the arising of a considerable number of courtroom dramas;the other is that a lot of courtroom dramas contained supernatural elements because it was not easy to obtain general recognition to always have upright officials punish villains.The two arguments are enlightening to the study of courtroom dramas,but the pity is Zheng only gave a rough process of deduction and did not make further explanation.The social-psychological mechanism behind them can be identified when examined with Maslow’s hierarchy of needs.
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